Episode 15 of “OUR HOUSE” was shot and edited for The Coastal Confidence on Instagram.
The default ingest settings inside the Adobe Premiere Pro Ingest Settings tab are not very good, especially on a PC where Pro Res is not an option. To fix this, I created two presets within Adobe Media Encoder that convert footage, either 23.976 fps or 59.94 fps, down to 1080p DNX LB proxies at aContinue reading “Low-Bitrate Ingest Proxies for Premiere Pro”
Getting to know a fellow editor’s project file can be a huge time suck. This guide is aimed at reducing that time (and the number of headaches) involved in swapping around Premiere Pro project files.
I learned a lot on my first freelance job. Through mistakes and repetition, the list below highlights 25 things that I needed to remember when setting up for this first job.
The quality of what we shoot is not determined entirely by the quality of the equipment, just as the quality of a film is not determined entirely by the budget of the special effects department.